Bert Williams: “The funniest man I ever saw.”

Bert Williams

Bert Williams was simple and kind, many liked him. He was also one of the best comedians of his time. “The funniest man I ever saw,” one fellow comedian described Bert. 

Born in Nassau, The Bahamas, in 1874, Bert moved to Florida with his family at eleven, and to California a year later. While studying engineering in college at Stanford, Bert began performing in minstrel shows to earn funds to support himself financially. This would mark the beginning of a lifetime in show business. 

Pairing up with a fellow performer, the troupe sang, and danced, performed skits, exchanged comedic dialogue. They slowly grew in stature, until coming into much fame with their musical, In Dahomey, in 1902. The popular show also took them abroad, as they performed in Buckingham Palace. The pair worked together until 1911, when Bert’s partner passed away. At which point, Bert joined a production company. 

While Bert made others laugh, he coped with much pain. The same description of him being the funniest man was followed up with Bert is “the saddest man I ever knew.” He dealt with significant racism, often having to find his own accommodations, eating alone, taking backroom elevators, and though being black, having to perform in blackface. Remarking about a time when fellow performers went on strike, he said. “I went to the theatre as usual, made-up and dressed. Then I came out of my dressing room and found the stage deserted and dark, the big auditorium empty and the strike on. I knew nothing of it: I had not been told. You see, I just didn’t belong. So then I went back to my dressing room, washed up, dressed up, and went on the roof. It all seemed like a nightmare.”

Sick, needing help to dress himself, Bert still went to perform. He collapsed during his performance and soon after passed away at the age of forty-seven. 

“Bert Williams: ‘The funniest man I ever saw.'” sources: Hill, Errol, and Hatch, James V.. A history of African American theatre. United Kingdom, Cambridge University Press, 2003. / “TCS 1.1120, Harvard Theatre Collection, Harvard University” / Let It Resound / Wikimedia Commons